AGENTS
Our editorial team are a mix of sartorial and cinema enthusiasts who have curated their personal wardrobe based on their favourite film/s and actor/s. They offer a welter of knowledge on menswear brands seen on film based on their passions for buttoned-up and casual elegance. The team are both contributors to the blog and also to the podcast. You can get in touch with them individually through their respective social media channels or by contacting me here.
MEET THE TEAMĀ
Daniel Wears Prada? The No Time To Die Mystery Tie
The mission to get this tie was close to impossible, and it involved ordering the tie a number of times. Article by ā Tie Another Day. Daniel Wears Prada? No Time To Die has provided [...]
James Bond’s Sperry Brown Boat Shoes in No Time To Die | Review
The Rivingstons were going the way of the dodo, and I was beginning to think these were just one item (of many) that I wouldnāt be able to get. ā Article byĀ Daniel Gaster. Jamaica In [...]
Turnbull & Asser’s Grenadine Ties – The Original Ties Favoured by James Bond
If there is only one tie to take away with you then a navy tie is the answer, and you cannot go wrong with a grenadine navy tie. ā Article byĀ Daniel Gaster. Current Price: [...]
Remaking the Pinstripe Suit from Quantum of Solace a Bespoke Experience with a Cantonese Tailor
This was my favourite suit from a favourite film, owning it is a joy. Thomas Felix Creighton Why this Pinstripe suit? Given James Bond has worn no shortage of suits since his first screen appearance [...]
James Bond’s (Possible) Unseen Casino Royale Shoes by John Lobb
Heās a blunt instrument, dressing sharp and sexy with plenty of money. Itās such an inspiring vibe. Article by Eisuke āĀ Inspired by Bond. The brands James Bondās shoes have undergone several brand changes over the [...]
Bond’s Rag & Bone Classic Long White Henley from No Time To Die | Review
It is a soft material and feels good worn over bare skin. It is a great versatile layering piece, and you can see why it has been used for multiple outfits for the film. ā [...]